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WRITERS' STUDIO

Need a place to write?

 

Don't want to spend a fortune for your literary sanctuary? Our writing studio is located in a beautiful, sky-lit space on our top floor. It provides the perfect setting for writing. Each writer has access to a desk, a personal locker, an up-to-date reference library, lounge area, comfortable chairs, electrical outlets for portable and laptop computers, WiFi internet, wireless printer access, and a kitchenette/refreshment room stocked with coffee, water and M&Ms.

 

Exclusive to The Center for Fiction, we offer our Writers' Studio members full access to our circulating collection of 85,000 titles–perfect for inspiration and research in any genre. Membership also includes discounts on writing classes, reading groups, events at the Center, and in our bookstore. You also have full access to our entire building, including our second-floor Reading Room.

 

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NEED INSPIRATION?

 

We know that the path to writing the next great American novel is a long one, and that everyone needs a little inspiration and help along the way. We hope some of these resources on our site will help you grapple with the craft and inspire you to keep writing! 

 

Over at our Writers on Writing section, some of your favorite authors offer practical advice on craft.

 

Our Interview archives offer writers talking about their work (and their own struggles with writing!)  

 

Publishing professionals weigh in on the process over at The Book Business

 

The Model Short Story can act as your guide. Writers of all types introduce the stories that they think are exemplary of the form. 

 

Our Essential Books for Writers lists some of our favorite (off-line!) resources. 

 

And don't forget our archive of Audio & Video. Most of our events are available online for you to watch and learn from. 

 

Happy writing! 

ESSENTIAL READING

Think Outside the Book

 

Traditional writing guidebooks can be excellent tools for getting your fingers typing (heck, we even have a whole list of favorites,) but we also know that inspiration and guidance can come from unexpected sources. We've asked our fall writing workshop leaders to share some of the uncommon guides they've used in their own writing. 

 

Click here to read our teachers' picks that range from the cemetery to Wallace Stevens to the latest bestsellers.  

Congratulations to Our 2016 Fellows!

 

The Center for Fiction is pleased to announce our 2016 NYC Emerging Writers Fellows: Daniel DiStefano, Marie Holmes, Enkay Iguh, Swati Khurana, Hafeez Lakhani, Etan Nechin, Zulma Ortiz-Fuentes, Dan Sheehan, and Erin Somers. 


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Writers Retreats & Residencies 

 

Summer is a great time to get away, whether that means a weekend at the beach or a month-long tour through Asia. If you're thinking about getting some writing done in the next few months you may find these lists of unusual artist residencies and stunning writers retreats helpful. And if you can't get away this summer, there's always this fall! 

How Walter White Can Make You a Better Writer 

by Martha Southgate 

 

"I’m proud to admit that I was and am an obsessive fan of Breaking Bad. When Walt, Jesse and all their friends left us on that Sunday night three years ago, I was left bereft for a while. Sundays just weren’t the same without those guys."

 

What can blue meth and tighty-whities teach you about writing fiction? In this craft post, our writing instructor Martha Southgate uses one of her favorite TV shows to illustrate some helpful writing tools to have in your arsenal. 

Christine Schutt on Joy Williams' "Brass"

 

In our latest edition of The Model Short Story, acclaimed author Christine Schutt (Prosperous Friends) looks at the haunting "Brass" by Joy Williams. The short story is loosely based on Jared Lee Loughner, who seriously injured Arizona congresswoman Gabby Giffords, and killed several others. Schutt investigates the spareness of Williams' prose and the compassion she brings to her characters.

 

"When I think of Joy Williams writing this story, I think of an expert watercolorist making rapid, simple seeming strokes from all directions." READ MORE


Inventing Time

by Laura van den Berg

 

Time is an essential part of our lives and our fiction. Done well, it disappears in a story, but done badly... suddenly a story can become clunky and awkward. In this new craft post our writing instructor Laura van den Berg takes on the subject of time and how she's dealt with its passing in her own work. 

 

"Time frames our experience in the world, yet time is never stable: it is always moving. This morning, I walked my dog from Carroll Gardens to the Red Hook waterfront and back. We were out for an hour and ten minutes. Yet during that time I also traveled to the immediate past..." READ MORE 

An Introduction to Constance Fenimore Woolson's 
“‘Miss Grief’” 
by Anne Boyd Rioux

 

Professor and Woolson biographer Anne Boyd Rioux discusses the classic short story "'Miss Grief'" and its investigation of gender politics in this edition of The Model Short Story. Rioux also looks at the ways the characters in the story echo Woolson's real life relationship with Henry James. Then read the story for yourself on our site!

Three-Dimensional Writing

by Alison Gaylin

 

What's the key to a good page-turner? In this craft post our CFA instructor Alison Gaylin argues that character can make the difference between a good book, and a good book that keeps your readers excited. 

 

"I love a good suspense story—the type of dark, twisting tale that keeps me on the edge of my seat, turning pages, barely able to wait for what happens next. That’s the effect you strive for in writing suspense; that emotional investment in the plot." READ MORE