Matthew Sharpe on SALVATION by Langston Hughes
“Salvation” is the third chapter of Langston Hughes’s memoir The Big Sea, but this two-page tour de force of prose is also a compact and complete story. Here are five things I like about it:
1. The control of time. As the story opens, time breezes along in the weeks leading up to the revival meeting at twelve-year-old Langston’s church. Time then slows down paragraph by paragraph until, as Langston’s decisive moment approaches, it creeps.
2. The control of space. Sometimes we see close-ups from twelve-year-old Langston’s point of view of “old women with jet-black faces and braided hair, old men with work-gnarled hands”; other times we see long shots, as if from up in the church’s rafters: “Suddenly the whole room broke into a sea of shouting. Waves of rejoicing swept the place.” And, as the church does, the author imbues with enormous significance the ten feet of space between the front row of pews and the altar, which the boy must cross to be saved.
3. The doubleness of the narrator. His diction and sensibility move fluidly back and forth between the man’s and the boy’s.
4. Polyphony. Not only the two Langstons’, but his Auntie Reed’s, the preacher’s, and his friend Westley’s voices are heard, as is the voice of the church via the liturgy.
5. Irony. The verbal irony of the title, “Salvation,” is a kind of shorthand for the dramatic irony of the plot, wherein the more lost young Langston feels, the more his fellow congregants are convinced they are saving him.
SALVATION by Langston Hughes
I was saved from sin when I was going on thirteen. But not really saved. It happened like this. There was a big revival at my Auntie Reed's church. Every night for weeks there had been much preaching, singing, praying, and shouting, and some very hardened sinners had been brought to Christ, and the membership of the church had grown by leaps and bounds. Then just before the revival ended, they held a special meeting for children, "to bring the young lambs to the fold." My aunt spoke of it for days ahead. That night I was escorted to the front row and placed on the mourners' bench with all the other young sinners, who had not yet been brought to Jesus.
My aunt told me that when you were saved you saw a light, and something happened to you inside! And Jesus came into your life! And God was with you from then on! She said you could see and hear and feel Jesus in your soul. I believed her. I had heard a great many old people say the same thing and it seemed to me they ought to know. So I sat there calmly in the hot, crowded church, waiting for Jesus to come to me.
The preacher preached a wonderful rhythmical sermon, all moans and shouts and lonely cries and dire pictures of hell, and then he sang a song about the ninety and nine safe in the fold, but one little lamb was left out in the cold. Then he said: "Won't you come? Won't you come to Jesus? Young lambs, won't you come?" And he held out his arms to all us young sinners there on the mourners' bench. And the little girls cried. And some of them jumped up and went to Jesus right away. But most of us just sat there.
A great many old people came and knelt around us and prayed, old women with jet-black faces and braided hair, old men with work-gnarled hands. And the church sang a song about the lower lights are burning, some poor sinners to be saved. And the whole building rocked with prayer and song.
Still I kept waiting to see Jesus.
Finally all the young people had gone to the altar and were saved, but one boy and me. He was a rounder's son named Westley. Westley and I were surrounded by sisters and deacons praying. It was very hot in the church, and getting late now. Finally Westley said to me in a whisper: "God damn! I'm tired o' sitting here. Let's get up and be saved." So he got up and was saved.
Then I was left all alone on the mourners' bench. My aunt came and knelt at my knees and cried, while prayers and song swirled all around me in the little church. The whole congregation prayed for me alone, in a mighty wail of moans and voices. And I kept waiting serenely for Jesus, waiting, waiting - but he didn't come. I wanted to see him, but nothing happened to me. Nothing! I wanted something to happen to me, but nothing happened.
I heard the songs and the minister saying: "Why don't you come? My dear child, why don't you come to Jesus? Jesus is waiting for you. He wants you. Why don't you come? Sister Reed, what is this child's name?"
"Langston," my aunt sobbed.
"Langston, why don't you come? Why don't you come and be saved? Oh, Lamb of God! Why don't you come?"
Now it was really getting late. I began to be ashamed of myself, holding everything up so long. I began to wonder what God thought about Westley, who certainly hadn't seen Jesus either, but who was now sitting proudly on the platform, swinging his knickerbockered legs and grinning down at me, surrounded by deacons and old women on their knees praying. God had not struck Westley dead for taking his name in vain or for lying in the temple. So I decided that maybe to save further trouble, I'd better lie, too, and say that Jesus had come, and get up and be saved.
So I got up.
Suddenly the whole room broke into a sea of shouting, as they saw me rise. Waves of rejoicing swept the place. Women leaped in the air. My aunt threw her arms around me. The minister took me by the hand and led me to the platform.
When things quieted down, in a hushed silence, punctuated by a few ecstatic "Amens," all the new young lambs were blessed in the name of God. Then joyous singing filled the room.
That night, for the first time in my life but one for I was a big boy twelve years old - I cried. I cried, in bed alone, and couldn't stop. I buried my head under the quilts, but my aunt heard me. She woke up and told my uncle I was crying because the Holy Ghost had come into my life, and because I had seen Jesus. But I was really crying because I couldn't bear to tell her that I had lied, that I had deceived everybody in the church, that I hadn't seen Jesus, and that now I didn't believe there was a Jesus anymore, since he didn't come to help me.
“Salvation” from The Big Sea by Langston Hughes. Copyright © 1940 by Langston Hughes. Copyright renewed 1968 by Arna Bontemps and George Houston Bass. Reprinted by permission of Hill and Wang, a division of Farrar, Straus and Giroux, LLC. www.fsgbooks.com
Read last month's Model Short Story: "Sweethearts" by Richard Ford
Photo by Carl Van Vechtan
Langston Hughes (1902-1967) was a poet, novelist, playwright, columnist, memoirist, and short story writer. The author of more than 30 books and a dozen plays, he was extremely influential during the Harlem Renaissance and in the decades beyond; he also had a profound influence on a younger generation of writers, including Paule Marshall and Alice Walker. "Salvation" is taken from his memoir, The Big Sea.
Matthew Sharpe is the author of Stories from the Tube, and the novels You Were Wrong, Jamestown, The Sleeping Father, and Nothing Is Terrible.